CADAVRE EXQUIS IN JOURNAL
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The debate on contemporary art, technology and poetics has made significant inroads in the academic circles of Brazil and Portugal through the advent of new formations, especially within postgraduate studies, and primarily in the first decade of the current century. The subject area attracts attention from various segments of society, especially those linked to the
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Report of the project The paths that divide: hypotheses of interactivity for the cinema of the future
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Interactive movie Haze (select the lateral arrows of the film to access to the other image streams)
The interactive movie Haze, Volume I of “The Forking Paths” is intended to question the place of onlookers, recreating a new figure: the spectator-protagonist. Using an application that divides the narrative display images in three flows, offers the possibility of being the spectator to choose his own path in history, as the protagonist. On the other hand, reinvents the notion of time in film and looks for a less dormant and stagnant relationship between public and work, nullifying the distance between genders and between reality and fiction.
The CIAC project “The Forking Paths” is intended to foster the creation and hosting interactive movies of different genres, origins and types.
“The Forking Paths” is concerned especially with the development of the relationship between the spectator and the narrative, which is to be increasingly active and participatory. Therefore, we have the ultimate goal of contributing to the development of the audiovisual language.
Haze will be open to the public in 2015 FILE – International Festival of Electronic Language (Sao Paulo, Brazil) http://file.org.br For viewing Haze go to http://oscaminhosquesebifurcam.ciac.pt/play_caminhos.htm in Google Chrome (preferably). To choose a parallel flow of images, use the side arrows.
The film takes place in the 20s, when two ladies are trying to get rid of a corpse on a spring night. The film will interact with the spectator at two levels: by controlling certain actions of the characters and the narrative through time control, allowing the spectator its own reading pace.
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Silva, Bruno M., “Psicogeografias de Hong Kong: In The Mood For Love”, Revista Comunicando, v.1, n.1, Dezembro, 2012. ISSN: 2182-4637. Link
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Silva, Bruno M.; R. João; R. Alves; Madeira M.; Ferrer J.; Casta S.; J. Martins. “Fátima Revisited: an interactive installation”, SGEM proceedings, 2014. DOI: 10.5593/sgemsocial2014/B41/S13.016. Link
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